Currently Listening To...

MARCH 2025

Check out some free ARL3CCH1NO-music on various platforms:
www.linktr.ee/ARL3CCH1NO

Album Of The Day

DEAFHEAVEN - Lonely People With Power

Check out some free ARL3CCH1NO-music on various platforms:
www.linktr.ee/ARL3CCH1NO

Chris Lake has joined forces with rising Brazilian producer Ragie Ban for “Toxic,” a high-energy house track infused with a nostalgic twist.
https://retroworldnews.com/chris-lake-ragie-ban-revamp-90s-hit-into-a-sizzling-house-anthem-toxic/

The gang is back again

Check out "Psyche", "Psyche Remixed", "The Medication Remixes", "Reconstrucdead", the "Isolation"-demos and soundtrack stuff here... more news coming soon:
www.linktr.ee/ARL3CCH1NO

What happens when you remix a memory? KDrew and Rich DietZ have the answer, and it’s electrifying. The duo has unleashed a powerful rework of Chrystal’s “The Days,” out now via DJ Susan’s PEAK DIAL.
https://retroworldnews.com/kdrew-and-rich-dietz-breathe-new-life-into-chrystals-the-days-with-a-thrilling-bass-remix/

Avi Sic delivers a powerful remix of Bexxie & Yurie’s track ‘Sacrifice,’ infusing it with her signature bass-heavy style for Purple Tree Records. Released on March 7, this remix is part of an all-female remix album, showcasing her ability to push sonic boundaries.
https://retroworldnews.com/avi-sic-transforms-bexxie-yuries-sacrifice-with-powerful-new-remix/

Doechii’s “NISSAN ALTIMA” was designed for a smooth ride, but Whethan‘s remix strips it down and throws it straight into the chaos of the underground. The track starts off unassuming before slamming into a dubstep drop packed with bass so heavy it practically oozes through the speakers.
https://retroworldnews.com/whethan-supercharges-doechiis-nissan-altima-with-a-gritty-dubstep-remix/

ODESZA‘s Severance remix, titled “Music To Refine To,” brings a fresh sonic twist to the eerie world of Lumon Industries. This time, the haunting sounds echoing through the company’s endless corridors have the board’s full approval—and ODESZA’s signature touch.
https://retroworldnews.com/odesza-unveils-haunting-severance-remix-music-to-refine-to/

The ‘SoundCloud era’ of dance music will always hold a special place in the hearts of electronic music fans. It was a golden age marked by countless underground gems, including Whethan‘s iconic flip of MssingNo’s track “XE3.”
https://retroworldnews.com/whethans-legendary-xe3-remix-finally-gets-an-official-release/

Hey did you guys know I did a bunch of cover versions and remixes of some of my favourite tracks?

Well I did and here they are:

https://synaptyx.bandcamp.com/album/an-ever-expanding-collection-of-eclectic-covers-and-free-stuff-in-general

It’s all free too!

Timeless

True

True

The haunting melancholy of Billie Eilish‘s “CHIHIRO” has taken on a new life in the hands of Black Coffee, who has just dropped his official remix of the Platinum-selling track.
https://retroworldnews.com/billie-eilishs-chihiro-reimagined-dive-into-the-energetic-black-coffee-remix/

It's come this far...

#ARL3CCH1NO #Psyche #remix #remixculture #soundtrack #metal #postrock #industrialmetal #triphop #isolation #depression #mentalhealth #Reconstrucdead #Democracy #fckafd #gegennazis #niewiederistjetzt #noafd #notrump #noputin #metal1info #neveragain #ftznfrtz #fckunion #fckfdp #brandmauer #fckmusk

Never Again!

This new version bridges the past and present, ensuring “Lethal Industry” remains a pivotal dance anthem for today’s electronic music enthusiasts.
https://retroworldnews.com/tiestos-iconic-lethal-industry-gets-a-stunning-remix-by-rose-ringed/

Hip Hop Samples Jazz: Dynamics of Cultural Memo y and Musical Tradition in the African American 1990s

The critical attempt to historicize hip hop dates at least to David Toop’s 1984 "Rap Attack: African Griots to New York Jive", a book written with journalistic immediacy and yet, as its subtitle suggests, one that situates rap reportage in the black musical "longue durée" but it wasn’t until the mid- 1990s that efforts toward an academic hip hop scholarship began in earnest, and it was then that ideas about the music’s methods and meanings as rooted in the black musical past became common currency. This view wasn’t surprising: a neat and untroubled line could be traced from the classic African American toasts to rap, and the use of digital sampling, whereby hip hop producers constructed their work from (black) music’s recorded back catalog, was equally suggestive for historically minded observers. This sampling practice, and its “historical” interpretation, form the central subject of this article.
Certainly, hip hop’s early scholars differed in their reasoning as to what the form’s use of old records meant for black music and history. Some positioned the practice as part of a linear, cultural-national tradition, sometimes shaded with essentialism. William Eric Perkins claimed, with totalizing confidence, that “sampling was and is hip hop’s ongoing link with history and tradition, including all of the African and African American musical genres.” a more modulated Kyra D. Gaunt contended that hip hop’s sampling was “the perfect medium for expressing the temporal culture-scape of who we are, and how we became, across time.”

https://doi.org/10.5406/americanmusic.29.3.0277

#hiphop #jazz #culturalmemory #musicaltradition #africanamerican #1990s #sampling #musichistory #blackculture #hiphopscholarship #digital sampling #toasts #africanamericanmusic #essentially #temporalculture #constructivisttheorizations #vernaculars #politics #postmodernism #rhythmandblues #funk #rapmusic #samplingdebates #recordproduction #hiphopculture #musicindustry #copyrightlaw #publicdomain #intellectualproperty #musicappropriation #musicalintertextuality #remixculture #blackpopularculture

Not sure of the best way to use hashtags to find/share content here yet so this toot is for my own reference for now more than anything else.

(Never really defined what I'm into before so just had an interesting drift around Wikipedia, occasionally saying, "Oh that's what it's called!" to myself.)