Create accountLogin

Recent searches

No recent searches

Search options

Only available when logged in.
c.im is one of the many independent Mastodon servers you can use to participate in the fediverse.
C.IM is a general, mainly English-speaking Mastodon instance.

Administered by:

Server stats:

2.8K
active users

c.im: AboutStatusProfiles directoryPrivacy policy

Mastodon: AboutGet the appKeyboard shortcutsView source codev4.3.6

#chantalakerman

1 post1 participant0 posts today
Public
Milano University Press

#2aprile

A dieci anni di distanza dalla scomparsa di #ChantalAkerman, la #Cineteca di #Milano omaggia la #regista con una rassegna.

Proponiamo un articolo che, basandosi sul concetto di “gesto minore” di #ErinManning, analizza il valore coreografico e cinematografico delle #mani gestuali. Il #documentario di #Akerman “Un jour Pina a demandé...”(1983) include molte attività che coinvolgono le mani, mettendo in evidenza la loro dimensione tattile e sociale.

⬇️riviste.unimi.it/index.php/cin

Lucia Ruprecht 2020. "Minor Gestures: Chantal Akerman’s Un jour Pina a demandé…." pubblicato in Cinéma & Cie. Film and Media Studies Journal. 20, 35 (Oct. 2020).
#cinema
Continued thread
Public
Ingrid Hoeben Ⓥ 🇧🇪

My ★★★★★ review of I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015) on #letterboxd: boxd.it/9dRHxn

boxd.itA ★★★★★ review of I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015)Essential viewing. Akerman never belonged anywhere (for real) except in our memories and hearts. She’s home everywhere now. She belongs there. This portrait directed by Marianne Lambert, touches of about 40 films by this prolific filmmaker, including the iconic Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles. From Brussels to Tel Aviv, from Paris to New York, the documentary takes us to all of the places she visited on her travels. An experimental filmmaker and a nomad, she shares with us her cinematographic journey, which continually questions the meaning of her existence at the risk of not winning the audience
#chantalakerman#documentary#idontbelonganywhere
Public *
Ingrid Hoeben Ⓥ 🇧🇪

#chantalakerman #newyork #newsfromhome #cinema #movies #seventies #review

My ★★★★★ review of News from Home (1976) on #Letterboxd
boxd.it/8cmHVP

boxd.itA ★★★★★ review of News from Home (1976)If the word 'mesmerizing' did not exist, I would have been invented to describe this chef d'oeuvre (and she had plenty of those) by the unparalleled Chantal Akerman. “This is one of the best depictions of the alienation of exile that I know.” – Jonathan Rosenbaum Roger Ebert: "After “Jeanne Dielman”, she would make three more masterpieces before the decade was over. The first is “Je, Tu, Il, Elle,” on which more in a moment. The next two were autobiographical inverses. “News from Home” is a trance-like documentary that features Akerman reading letters from her mother over footage of her
Public *
settima

#Bales2025FilmChallenge of March 11: close quarters

L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983)

A filmmaker (Akerman) reluctantly hosts a guest (the always imposing Jeffrey Kime) in her already cramped quarters. His increasingly expanding presence in volume, sight and sound are insufferable for the quiet cineast.

write.underworld.fr/settima/se

settima · L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983)L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983) Mar 11 close quarters Henri (Jeffrey Kime) and the woman (C...
#ChantalAkerman#JeffreyKime#MauricePerrimond
Public
Ingrid Hoeben Ⓥ 🇧🇪

My ★★★★★ review of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles on @letterboxd: boxd.it/8V289L

boxd.itA ★★★★★ review of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)If this isn’t your cup of tea, please get out of my kitchen. No, seriously. Give this one a go, several goes will also do just fine. Open your mind, perhaps you should watch it without reading reviews. (So only keep reading this, when you have seen Jeanne Dielman) No prejudices, just you and Jeanne and another mysterious (or silent) character: seventies Brussels.  The silence of Jeanne Dielman is the whole atmosphere. And what an atmosphere. It screams about loneliness and disconnect. Chantal Akerman was on top of her ‘game’ very early. And she delivered a full and rich body
#jeannedielman#chantalakerman#review
Public
Ingrid Hoeben Ⓥ 🇧🇪

My ★★★★★ review of News from Home on @letterboxd: boxd.it/8PGGL1

boxd.itA ★★★★★ review of News from Home (1976)In the seventies Chantal Akerman seems to have been inspired by unimaginable forces. She delivered one tour-de-force after another.. this ‘docu’ tops (almost?) all others.  When the word mesmerizing would not have existed, I would have invented it for News from home. Magnetic, honest, imaginative, time document, mother/daughter zoom in, one of a kind, audacious, stylish, a NY hommage, visual and auditive treat… superlatives galore! Thank Akerman’s mother (Natalia) for having Chantal. She was a gift, breathing universal and timeless cinema. People might find News from home boring. Those same people will also dislike Jeanne Dielman. Ignore those people. You
#chantalakerman#newsfromhome#letterboxd
ExploreLive feeds
About