Ekrany (Screens), akryl na płótnie, 120 × 100 cm, 2022.
In this painting, I wanted to explore two themes. On one hand, I aimed to juxtapose three types of "framed images" - in the background, there's a window revealing an overexposed image, next to it, an actual painting on canvas in darkness, and in the foreground, two glowing screens. Through this composition, I wanted to highlight the distinct characteristics of these three image types (a meta-painting commentary).
The second theme I wanted to address is the presence of technology in everyday life. In my paintings, I have explored the visual representation of life with computers and in the virtual world. I concluded that the best way to illustrate this was by showing technology's impact on our surroundings and bodies. The painting depicts my brother's computer setup from a few years ago. I remember it with nostalgia. Back then, my brother used two refurbished monitors and a computer that he later gave me when he upgraded to a better one. On the desk, there’s a pair of headphones - the same model we kept buying for years out of habit until they stopped making them. All of those headphones met the same fate - ending up with a broken plug that we couldn't fix because, after replacing it, only one side would work. My brother cut off all those cables and kept them "for later." "Later" came a few years ago when I started exploring technology-related themes in my art. I began attending events with a few of my favorite (headphones) cables tied around my waist as a belt.
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Dziś przypada rocznica urodzin Bonawentury Dąbrowskiego (1807-1862) – polskiego malarza tworzącego dzieła o tematyce historycznej i religijnej. Był także uczestnikiem powstania listopadowego oraz nauczycielem rysunku m.in. Józefa Ignacego Kraszewskiego. 
